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A MEETING MASTERS MEMO

Created by
John K. Mackenzie

Client Personality Profiles (The good, the bad, the bizarre)

Last month we reviewed information clients should give event producers (RFPs) if they want decent concept proposals. Now, let's review some problem personalities producers often run into when they pitch potential clients.

Meet the Killer Clients

  1. The resolute and the rigid arrive fortified by the coDo it my way, Victor!urage of their conventions. They know exactly what they want, even when it's something they should never have. They remain hermetically sealed to remedial suggestions

    When the client concept fails it will be your fault.



  2. 2. Meet, greet & eat clients love the attention lavished by suppliers. They schedule visits just before lunch but already know who's going to get the job.

    Get out the Kool-Aid.



  3. Brain bandits want new ideas to shop around. They ask lots of questions and take lots of notes. Much more interested in demos of what you did for others than what you can do for them. Quite common.

    If you suspect this we advise a polite, but prompt, retreat.


     
  4. A crisis client is the mother load! They've got a real problem, and no time to make the rounds or get competitive bids.

    You should have a clean shot at this one.


     
  5. Low-ball lures want "The History of Humanity" for a buck-and-a-half because, "We have lots of projects coming up, and this will be a great way to get acquainted!"

    If other prospects do come up, budgets won't!


     
  6. Telephone teasers call, or e-mail, 10 contractors with vague job specs and inevitably say, "All we need is a rough estimate."

    Your estimate will be flash-frozen in a solid titanium block.


     
  7. New guy/gal in town just started with his/her company (or got a promotion). They assert independence with a blanket rejection of existing suppliers; but then have to play catch-up fast!.

    Should produce new business if you're not on the old list.



  8. The virgin from a conservative, low profile company has never used an outside producer or planner. Prepared to spend money until learning what things actually cost. Then react as though they have stumbled into a den of thieves! (And, sometimes they have.)

    Patience and gradual education can pay off.


     
  9. Uncertain and insecure would rather stay in the office, but competition drives them out. Have a nasty suspicion they should be doing something, but don't know what.

    Keep it simple and avoid options overload.


     
  10. Jack-the-flipper never uses the same vendor twice. Has horror stories about abuse by other contractors.

    If you take the job your story will be next.


     
  11. The 'in-house' expert often works in corporate communications or sales: Visiting you because recent projects bombed and management is pissed. Needs help and/or ideas.

    Will gladly accept either and then resent both.


     
  12. Weekend wipeouts show up Friday afternoon with an urgent need for (whatever) by Monday. Have been turned down by others. Opening line: "We had a sudden request from our (department name) for a (whatever)."

    Go home early.


     
  13. The kickback crew is alive and swell. Giving out to those who kick in.
    Paybacks run from five to ten percent of your gross.

Coming up next: Super-Jock Meeting Motivation Does moving the locker room into the meeting room really work? "Vince Lombardi, give us a break!"

Black-Belt Meeting Moves

Room Setups & Letdown

The Executive Roast

Qualifying Event Producers

Amplifying RFPs

Killer-Client Profiles

A Sales-Jock Requiem

Business Theater

The Agenda Juggle

Renovation vs Innovation

Meeting Machines

Themes vs Names

Meeting Master Triage

Anatomy of An Offer

ADA Low Vision Specs

Venue vs Virtual Meetings

A Case for Case-Histories

Speaker Contracts

Client Invoice Collections

Power for the Planners

Speaker Fee Negotiation

"Sound" Advice

AV Projection Tips

Your Audio-Visual RFP

New Business Proposals

Public Presentations

Music Licensing

Hotel Negotiating

Site Selection Checklist

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The Writing Works is an idea bank, not a production or planning company.

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